The process
Every step ends with something you can play. If a project has to stop, it stops at a clear line rather than halfway into an undefined state.
Idea and direction
We listen to what you have — a phone demo is fine. We agree on references: how it should sound and what it will be playing next to.
Arrangement
Structure, key, instrumentation. This stage decides what every later stage costs.
Tracking
Vocals and live instruments at the studio; session players when the material asks for them. Each day ends with a tidy session and numbered takes.
Mixing
Balance, space, dynamics. You get a timestamped review link for comments; two revision rounds are included.
Mastering
The final format for streaming, radio or vinyl — a separate service you can also book alone.
Who this is for
Artists
One song or a full album. First-time studio visits included.
Bands
Keeping a live ensemble sounding like one, instead of a grid.
Producers
You have a mix and need a fresh ear, or a final master.
Common questions
Do I need a finished song first?
No. Plenty of projects start from a verse and a chorus. We simply tell you how much work is left, so the quote holds no surprises.
Can you bring in session players?
Yes — drums, strings, horns, backing vocals. Their fee appears as its own line in the quote rather than buried in the service price.